Brian is the husband killed in a car crash . His wife was responsable for his death and he keeps coming back in her dreams to scare her.
Details of the blood on his Mask Draft of his outfit. Attempt to create blood (knife-prop)Blood over the character's hand
Astheatic: Iove these music videos and movies because they create an extrodinary atmosphere just by the lighting setup. I love the shades of green and blue on these movies and I aim to do the same with mine.
Camera angles: Hitchcocks was a master of the camerea angle for me. He could draw attention from the viewer to areas that were not even in focus. He is minimalist in the camera angles and one of my favourite director of all time.
Horror/Tension:What is a horror movie without creating tension and aprehension on the viewers? I love these movies because they are clever in how to create an atmosphere of tension and horror just by the way a the score and the sound effects are carefully wrapped around it.
Astheatic: Iove these music videos and movies because they create an extrodinary atmosphere just by the lighting setup. I love the shades of green and blue on these movies and I aim to do the same with mine.
Camera angles: Hitchcocks was a master of the camerea angle for me. He could draw attention from the viewer to areas that were not even in focus. He is minimalist in the camera angles and one of my favourite director of all time.
Horror/Tension:What is a horror movie without creating tension and aprehension on the viewers? I love these movies because they are clever in how to create an atmosphere of tension and horror just by the way a the score and the sound effects are carefully wrapped around it.
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[guilt] |
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SCRIPT |
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[luiz dos santos] |
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[28/07/2011] |
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OPENING CREDITS [SLOW TEMPO ORCHESTRA – DIALOGUE]-
OPERATOR:111 … ANNIE: THERE WAS AN ACCIDENT. OPERATOR: KEEP YOURSELF CALM. PLEASE TELL WHERE YOU ARE. ANNIE: I LOST CONTROL OF MY CAR I DON’T KNOW WHERE I AM. MY HUSBAND IS BADLY INDJURED AND HE’S UNCONCIOUSS. I’M SO SORRY I DIDN’T MEAN. OPERATOR: ARE YOU AT HOME?
IN THIS SCENE THE MAIN CHARACTER(ANNIE) IS CAUGHT UP INSIDE A NIGHTMARE. SHE IS TRYING TO SCAPE FROM A FIGURE IN BLACK THAT IS WEARING A MASK. SHE TRIES TO ESCAPE AS THE ANTAGONIST CHASES HER. [SCENE01] [ACT01] START FADE IN:
[NIGHTMARE – ESCAPE SCENE] INTERNAL (NIGHT TIME) {ZOOM IN ON A KITCHEN TABLE}. A HAND EMERGES FROM UNDERNEATH THE TABLE TRYING TO REACH IT . IT IS A FEMALE HAND (NAIL POLISH IS CRACKED) AND THE HAND IS COVERED IN BLOOD. AS THE PROTAGONIST TRIES TO USE THE TABLE AS A SUPPORT TO GET UP, SOMEONE PULLS HER LEGS AND SHE CANT HOLD THE TABLE ANYLONGER. (SQUEAKY NOISES OF NAIL SCRATCHING THE TABLE – MARKS OF BLOOD LEFT BY THE FINGERS). AS THE CHARACTER TRIES TO HOLD HER LEGS SHE KICKS HIM ON THE FACE GIVING HER TIME TO GET UP AND RUN. SHE IS LIMPING AND CANNOT RUN AT A FAST SPEED. SHE THEN FALLS AND THE MAN IN BLACK REACHES HER WITH A KNIFE ON HIS HANDS.
CUT: SHE WAKES UP.
[THE CHARACTER REALISES IT WAS A NIGHTMARE] (FAST BREATHING). SHE LOOKS AROUND A FEW TIMES AS IT TO MAKE SURE THAT WAS REALLY A NIGHTMARE.SHE THEN PUTS HER HANDS OVER HER HEAD AND LOOKS DOWN AT HERSELF. SHE SUDDENLY GETS UP AND GO STRAIGHT TO THE KITCHEN AND GRABS A GLASS AND A BOTTLE OF WHISKEY AND STARTS DRINKING HEAVYLY. AFTER A FEW GULPS SHE HEADS TO THE KITCHEN AGAIN,OPENS THE CABINET AND GRABS A FEW PILLS AND HAVE THEM ALL AT ONCE. SHE THENS LEANS AGAINST THE WALL (BREATHING HEAVILY)AND LOOKS AT SOMETHING. (CAMERA POINTS TO WHAT SHE IS LOOKING AT)SHE SPOTS A PICTURE FRAME WITH A PHOTO OF HER AND HER LATE HUSBAND. SHE WALKS TOWARD THE PICTURE AND GRABS IT AND HOLD IT CLOSE TO HER CHEST. SHE THEN DROPS THE PICTURE (PICTURE FRAME FALLING IN SLOW MOTION – SHOT IN 60 FRAMES IN ORDER TO GET A GOOD SLOW MOTION EFFECT) [END OF SCENE] FADE IN. PHONE RINGS AND WAKES ANNIE UP. SHE TRIES TO KEEP HER EYES OPEN WHILE THE PHONE KEEPS RINGING. OUT OF SUDDEN ANNIE GETS UP AND WITH ANGER THROWS THE PHONE ON THE FLOOR. SHE LAYS ON THE FLOOR ON FETAL POSITION (CAMERA SHOOTING FROM ABOVE) AND PUTS HER HANDS OVER HER HAND AS IF SHOWIND A SIGN OF FRAGILITY. THEN SHE LOOKS TO THE CLOCK AND GETS UP.
CUT: TRAIN SCENE -EXTERNAL.
SHOT OF A TRAIN STATION FOLLOWED BY ANNIE GETTING INSIDE A TRAIN.
CUT: ANNIE INSIDE THE TRAIN. HER HEAD LEANS AGAINST THE WINDOW. SHE LOOKS DISTRACTED AND DAYDREAMING. SHE SUDDENLY REALISES HER STOP IS CLOSE AND GETS UP.
CUT [CEMETERY SCENE] SOME SHOTS AT ANNIE WALKING AND LOOKING AROUND (CREATE TENSION) SHE HEARS STRANGE NOISES AND CANT FIGURE OUT WHERE THEY ARE COMING FROM . ANNIE ARRIVES AT A CEMETERY. SHOT OF ANNIE LOOKING AT THE ENTRACE (CAMERA CUTS TO A WIDE SHOT OF THE CEMETERY) RANDOM SHOT OF DEAD FLOWERS, AND GRAVES ANNIE WALKS TOWARDS A GRAVE AND LOOKS DOWN AT IT FOR A FEW SECONDS. THIS SCENE IS INTERRUPTED BY A STRANGE NOISE AND ANNIE LOOKS QUICKLY AROUND HER AS IF TRYING TO KNOW ITS SOURCE. SHE GETS SCARRED AND LEAVES THE PLACE QUICKLY . CUT: ANNIE BACK AT HER HOUSE. SCENE OF HER OPENING THE DOOR (INSIDE SHE LEANS AGAINST THE DOOR RELIEVED SHE IS FINALLY HOME). ANNIE THEN GETS INSIDE AND DROPS HER BELONGINGS ON A TABLE AND RUSHES TO THE KITCHEN. SHE ONCE AGAIN GRABS AN EMPTY GLASS AND A BOTTLE OF WHISKEY AND STARTS DRINKING HEAVILY. CUT: BAND STARTS PLAYING. SHOTS OF A MAN PLAYING THE CELLO ON A LARGE HALL. SHOTS OF BAND MEMBER PLAYING THE INTRO OF THE SONG WHILE SCENES OF ANNIE SLEEPING ARE INTERPOLATED. CUTS between BAND MEMBERS. CUT: ANNIE SLEEPING ( CAMERA ZOOMS IN HER FACE) NIGHTMARE STARTS. FEVER HOSPITAL SCENE. |
Here are some pictures of one of the locations for my final project
it's the fever hospital ( mt victoria)
Colour Pallete(Requiem for a Dream)
I want a blueshi colour pallet ( it gives always the "night" look even on daylight).
Cuts and Camera angles ( Alfred Hitchcock's Vertigo)
I love Hitchcock's movies. His camera style is unique and clever because he know how to draw attention to the crowd towards a specific spots even when they are not in evidence.
Depth of Field. ( to give a really nice "film" look in some of the shots)
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Title : ”Guilt”
Central proposition or Introduction: If the classical narrative structure with a nonlinear form was applied to a music video genre, the benefits of film making techniques could enhance the form of music videos.
Aim: My aim is to merge filmmaking with music video using classical narrative structure with a nonlinear form. I will achieve creating a short movie that interpolates with music video, using horror and thriller as the genre . The music will be a heavy metal piece as it blends nicely with those two genres. I will be composing the music as well as all creating all sound effects for this video thereby avoiding all copyright issues associated with this project. The music will be a heavy metal piece as this style blends nicely with the horror and thriller movie genre. It will feature fast tempos (130-150 bpm), orchestrations, choirs, minor scales (to create a sad mood to the melody) and distorted guitars
Design brief: I will create a narrative about someone who has lost track of reality, as the result of loss of a family member. The whole issue is driven by guilt as the main character is somehow responsible for the death of that person. I want to play with idea of the duality between reality and fantasy through madness. I will use influences from horror and thriller movies taking some iconographic elements from these two genres and applying them to the narrative. There will be just 2 characters – the late husband (just present on the main character’s nightmare) and the wife (main character) .
Specifics:
· Size; 5-10 minutes film/music video;
· environment: external and internal shots;
· media format; video 1280x720.
Inspiration:
Alfred Hitchcock’s Vertigo, The Birds, Michael Jackson’s Thriller, Dimmu Borgir’s Progenies of the Great Apocalypse.
Three projects that influence your aesthetic choice:Fringe,(American Series), The Black Swan (movie), Requiem for a Dream ( Movie)
Time plan
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Week 1 |
Gather reference Material, and search possible locations for the shots |
Pre Prod |
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Week 2 |
Start Script Writing |
Pre Prod |
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Week 3 |
Finalise Script and start storyboard |
Pre Prod |
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Week 4 |
Initialise tests with light, green screen and camera ( with actors if possible) |
Pre Prod |
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Week 5 |
Wait for feedback so work can be carried on. |
????? |
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Week 6 |
Start the production (filming, external and internal shots and green screen) |
Production |
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Week 7 |
Start the production (filming, external and internal shots and green screen) |
Production |
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Week 8 |
Start the production (filming, external and internal shots and green screen) |
Production |
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Week 9 |
Post Production ( 3d, match moving and compositing) |
Post Prod |
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Week 10 |
Post Production ( 3d, match moving and compositing) |
Post Prod |
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Week 11 |
Post Production ( 3d, match moving and compositing) |
Post Prod |
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Week 12 |
Final details (Audio, colour correction, and |
Post Prod |
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Week 13 |
Exibition and presentation |
Final |
Resources
After Effects (compositing and post production), Adobe Premiere (post production and edition), Autodesk Maya ( modeling and post production), Autodesk Mudbox (modeling and texturing), Autodesk Matchmove (match moving and camera tracking) , Nuke (match moving) and respective plugins inside those software package.